Elysha Rei’s artistic exploration delves into the intertwined histories of the Japanese diaspora in Australia over the past centuries. Through the intricate craft of hand-cut paper, Rei creates pieces that not only captivate viewers with their beauty but also shed light on significant historical narratives. One such work, featuring 114 punched holes symbolizing the Japanese individuals who remained in Australia post-World War II, serves as a poignant reminder of the challenges and triumphs faced by these communities.
Historian Tracey Banivanua-Mar’s insights into 19th-century Northern Queensland as a colonial borderland reveal the complexities of race and identity construction during that era. Townsville’s historical significance as the location of the first Japanese Consulate in 1896 underscores the deep-rooted connections between Japan and Australia, particularly in industries like pearl diving and sugar cane farming. Rei’s choice to use predominantly white paper in her exhibition pays homage to the impact of the Immigration Restriction Act of 1901, highlighting the erasure of Japanese presence in Australia.
Rei’s artistic journey extends beyond personal ancestry to encompass a broader representation of Japanese-Australian stories. By incorporating elements like a cherry blossom tree branch to honor the first recorded Japanese-Australian individual, she weaves a tapestry of shared heritage and cultural exchange. The artist’s deep dive into archival materials during a Postgraduate Fellowship further underscores the importance of understanding and preserving community histories for future generations.
The materiality of Rei’s work, particularly her use of washi paper sourced from Japan and sugarcane pulp, adds layers of meaning to her creations. Through a process of hand-cutting and improvisation, Rei infuses each piece with a sense of reverence and authenticity. As the inaugural chair of Nikkei Australia, Rei not only showcases her artistry but also serves as a bridge between past narratives and present audiences, fostering a deeper connection to shared histories.
Shirozato to Shinju (White Sugar and Pearls) stands as a testament to Rei’s commitment to using contemporary art as a medium for engaging with historical legacies. By inviting viewers of all backgrounds to immerse themselves in these narratives, Rei ignites a dialogue that transcends time and borders. Through her evocative installations and thought-provoking themes, Rei invites us to reflect on the intricate tapestry of cultural exchange and resilience that defines the Japanese-Australian experience.
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